“Jon Clark’s shadowy lighting conjoins with Giles Thomas’s sound design to convey a sense of ghostly imminence - while the soundscape shifts from Vivaldi’s Gloria to the Boomtown Rats in accordance with a contemporaneity to the storytelling that typifies Icke’s approach to the classics”
“Icke plays with these bumps, introducing alternative – sliding-door – versions of the action that are signalled with a boom from Giles Thomas’s electronic sound design and a flash of Jon Clark’s raptor lighting.”